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You can see a single record from a related table, such as the name of the customer for a particular invoice, by simply placing the Customer::Name field directly onto the invoice layout. FileMaker locates and displays the first matching customer name. Moreover, the data in the corresponding customer record is editable directly from the invoice layout, just as if it were in the invoice table. In situations where there are multiple related records, viewing just the first is usually inadequate, so FileMaker provides a layout Portal object supporting the display of a list of related records. Thus, in order to display a list of invoices for the current customer (for example, on the Customer layout), you should place a portal based on the Invoice table on the Customer layout. If desired, invoice data can be entered or edited directly in the portal, without visiting the Invoice layout, and any such changes are stored in the Invoice table and displayed on the Invoice layout when you next visit it. Relationships in FileMaker work in both directions, so a single relationship between the Customer and Invoice tables should be sufficient to enable the relevant invoices to be displayed on the customer layout and the customer details to appear on the invoice layout. Although the capability to view related data directly on the current layout makes FileMaker s interface powerful and flexible, it s also possible to jump directly to related records in their own table and layout. FileMaker s built-in Go to Related Records functionality (for example, via a button command or a script) can be used to achieve this efficiently.

RC:We try not to do camera moves in Flash itself because the ease in and ease out function doesn't work like we need it to. That's why I like programs

Follow these steps to create and use a Flash component:

The order in which scripts appear in the Scripts menu corresponds to the order of their arrangement in the Manage Scripts window. Thus re-sorting, rearranging, or grouping scripts in the Manage Scripts window directly affects the usability of the Scripts menu. Only those scripts specifically enabled for menu access (via the checkboxes to the left of each script s name in the Manage Scripts window) appear in the Scripts menu, so the Scripts menu is typically a subset of a file s available scripts. Where a script s functions are specific to only one area of a file (for example, a group of layouts), you may prefer not to include it in the Scripts menu (which is accessible throughout your solution), instead making it available only from those layouts where it s appropriate.

An alternative code is to merge next-state logic and output logic into a single combinational block, as shown in Listing 5.2.

where the squared term | a | | b |2 is known as the dipole strength, Dab . Transition back to the ground state ( uorescence) then occurs at a rate of spontaneous emission, Aba , that obeys the following equation:

3. Play the movie by selecting Control Play. The action should be signi cantly better than the abrupt change experienced before the action was tweened. 4. You needn t stop with one tweened action. You can extend the action by adding a keyframe to the 40th frame. Right-click the 40th frame of the Action layer and select Insert Keyframe from the shortcut menu. 5. With the 40th frame selected, drag the oval to the far right of the Stage. 6. Choose a bright blue from the Property inspector. 7. With the 15th frame selected, choose Insert Timeline Create Motion Tween. 8. With the rst frame selected, use Control Play to view the movie. The movie should be decidedly better than the last change you made. Now the movie changes colors and moves in different directions and for a longer time span (see Figure 19-21).

by the Output XOR D(y) (as two hex digits) for the S-box S[0]; for example, the entry in row 1A (01 1010) and column C (1100) is 4. Note that

6. Type a name for the button. 7. Press Enter/Return or click anywhere outside the button to end the button definition process. 8. If you d like to resize the button, click to select it and drag one of its handles (or select it and use the Size palette to specify precise coordinates and dimensions).

At this point, it s worth noting that Flash 5 occasioned several changes to the way the timeline works. These changes were designed to make frame spans more easily recognized and manipulated. (A frame span is the group of frames ranging from one keyframe to, but not including, the next.) Because the frames between two keyframes do not add any new information to the movie, they really depend on the keyframes preceding them. Thus, in a logical sense, it s reasonable to be able to select them as a singular entity (the keyframe and all of the frames that depend on it), rather than individually. This group selection also makes moving frame spans easier clicking a frame span turns the cursor into a hand and enables dragging.